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The
final result.
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Ceramic
colours are metal oxides, mostly earth colours, iron, manganese and
cobalt. This horse, once fired as bisque, was first sprayed with a
thin coat of satin (transparent) glaze. The dry powder of the glaze
as purchased is mixed with a small amount of glycerine to aid even
covering and glaze binder which is like wall-paper paste, and enables
me to handle the model. It was then sprayed (air-brushed) with dark
grey on hoofs and muzzle, black on the legs and mane, and tan under
the belly, all the while held in my left hand. Then it was put down
onto the turntable, and a thin coat of a darker brown sprayed onto
the shadows. After this it is not possible to pick up the model without
leaving fingerprints, so the rest has to be done by air-brush. A lighter
tan is sprayed onto the back and shoulders, finished by a rich dark
red tan to emphasise the modelling. Any stray colour is brushed off
fetlocks and face and the eyes hand-painted. A final coat of glaze
seals the surface. |
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After
spraying on the glaze, the underneath of the feet are wiped clean
on a sponge, holding the horse with a rod through the mouth holes
and the tip of the tail so as to leave no fingerprints on the body.
It is then placed in the kiln to fire for the second time.
The commission
was for a matched team of four horses, all subtly different as to
colour and angle of the head. Some gentle manipulation of the neck
is possible when just out of the mould, but the nearside leader,
back right, had the neck cut and re-assembled.
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Back to the
first page of the first step?
Or, back to the Introduction?
Additional
information can be found on the pages describing making a simple
two-part mould and links from the side-bars on the Introduction to
this sequence of pages on making the Shire Horse.
Back
to the main site of Lenham
Pottery Models.
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